By: Francisco Medina
With an equity scheme and theater magazine, was made into a special staging 'The Centenary runs', the author and stage director Carlos Pascual.
'The Centenary runs' is a hilarious social critique of the Diaz period, involving Pedro Kóminik, Pilar Boliver, Veronica Alvarado.
This assembly is intended to make a tribute to the musical revue theater early last century and will be presented today from 12 August until 26 September at the Teatro Julio Castillo. Campus
that lent its stage to celebrate the Bicentennial of Independence and Centennial of the Mexican Revolution.
should be noted that in his homage to the genre of magazine, Pascual and Kóminik incorporate didactic theater of the German playwright Bertolt Brecht, who represents the reality of modern times and is responsible to stage the forces that affect human life.
With a full house, Teatro Julio Castillo, the Centro Cultural del Bosque was this proposal that reinvents the tradition of the theater with subtle social criticism Diaz period, through the skit.
'The Centenary runs' takes place during the Mexican Revolution in the middle of the abrupt political changes and the overthrow of the dictatorship of Porfirio Diaz.
the edge of the outbreak of the Revolution, President Porfirio Díaz directs Mariano Ocampo, director of the Gallo Theater Company, the development of some functions to celebrate the centenary of the Independence of Mexico. Ocampo
accepts the request, in order not to lose the subsidy gives the government therefore decided to undertake the preparation of the fantastic, but it is in the process falls the Diaz dictatorship.
This company is run by the ambitious Genara Donna Padilla, who flirts with the scenes of power, under the command of General Diaz.
However, the events that erupted after the triumph of Francisco I. Madero and the Ten Tragic change the course of the petition, and Mariano Ocampo decided to continue with his music hall.
theater director is part of the staff of the Liberal Party and is in disagreement with the disparities between the Mexican population, as well as the removal of many civil liberties.
In this context, he took the reins of the theater to overcome the storm of political change, and sing along with your company's biggest hits of the era.
applause and laughter, this staging has reinvented the theater magazine, with commentaries that allow interaction with the public, they give greater emphasis to political criticism and the drama within the fiction.
During start, more than 10 passages framed scenery. The proposal also maintains its pace through scenic vernacular music that accompanied it.
colorful and spicy, naive and malicious dialogues, the work endorsed the claim that it had in its golden age theater magazine, also called género chico: to serve during the Porfirio Diaz as news broadcaster new and very effective in the acute social criticism.
This theatrical performance is under the general direction of Peter Kóminik and features performances from himself, Pilar Boliver, Eugenio Bartilotti, Dalia Rodriguez, Olinca Velázquez and Veronica Alvarado, who alternates with Nelly Martínez functions.
With an equity scheme and theater magazine, was made into a special staging 'The Centenary runs', the author and stage director Carlos Pascual.
'The Centenary runs' is a hilarious social critique of the Diaz period, involving Pedro Kóminik, Pilar Boliver, Veronica Alvarado.
This assembly is intended to make a tribute to the musical revue theater early last century and will be presented today from 12 August until 26 September at the Teatro Julio Castillo. Campus
that lent its stage to celebrate the Bicentennial of Independence and Centennial of the Mexican Revolution.
should be noted that in his homage to the genre of magazine, Pascual and Kóminik incorporate didactic theater of the German playwright Bertolt Brecht, who represents the reality of modern times and is responsible to stage the forces that affect human life.
With a full house, Teatro Julio Castillo, the Centro Cultural del Bosque was this proposal that reinvents the tradition of the theater with subtle social criticism Diaz period, through the skit.
'The Centenary runs' takes place during the Mexican Revolution in the middle of the abrupt political changes and the overthrow of the dictatorship of Porfirio Diaz.
the edge of the outbreak of the Revolution, President Porfirio Díaz directs Mariano Ocampo, director of the Gallo Theater Company, the development of some functions to celebrate the centenary of the Independence of Mexico. Ocampo
accepts the request, in order not to lose the subsidy gives the government therefore decided to undertake the preparation of the fantastic, but it is in the process falls the Diaz dictatorship.
This company is run by the ambitious Genara Donna Padilla, who flirts with the scenes of power, under the command of General Diaz.
However, the events that erupted after the triumph of Francisco I. Madero and the Ten Tragic change the course of the petition, and Mariano Ocampo decided to continue with his music hall.
theater director is part of the staff of the Liberal Party and is in disagreement with the disparities between the Mexican population, as well as the removal of many civil liberties.
In this context, he took the reins of the theater to overcome the storm of political change, and sing along with your company's biggest hits of the era.
applause and laughter, this staging has reinvented the theater magazine, with commentaries that allow interaction with the public, they give greater emphasis to political criticism and the drama within the fiction.
During start, more than 10 passages framed scenery. The proposal also maintains its pace through scenic vernacular music that accompanied it.
colorful and spicy, naive and malicious dialogues, the work endorsed the claim that it had in its golden age theater magazine, also called género chico: to serve during the Porfirio Diaz as news broadcaster new and very effective in the acute social criticism.
This theatrical performance is under the general direction of Peter Kóminik and features performances from himself, Pilar Boliver, Eugenio Bartilotti, Dalia Rodriguez, Olinca Velázquez and Veronica Alvarado, who alternates with Nelly Martínez functions.
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